Film Remakes

N. 18 / EL REMAKE DE LA MEMORIA: SHUTTER ISLAND DE MARTIN SCORSESE Y LA PIEL QUE HABITO DE PEDRO ALMODÓVAR / Vera Dika

Film Remakes / Cinema / Cinema Studies / Identidad / Sueños, antropología, sociología, Ciencias de la Comunicación, medios, mass media, símbolos, imaginarios / Memoria / Surrealismo / Memoria / Surrealismo

N. 18 / EL UNIVERSO PSYCHO: \"LA ANSIEDAD DE LA INFLUENCIA\" EN LA OBRA DE HITCHCOCK / Rebeca Romero Escrivá

Intertextuality / Film Remakes / Cinema / Slasher films / Alfred Hitchcock / Cinema Studies / Metacinema / Gus Van Sant / Harold Bloom / Psicosis / Cinema Studies / Metacinema / Gus Van Sant / Harold Bloom / Psicosis

Reelaboraciones panamericanas de films argentinos: el caso de las remakes de Los martes orquídeas (1941)

Cultural History / Film Studies / Film History / Film Remakes / Cinema / Film and Media Studies / Argentinean cinema / Historia Cultural / Historia del Cine / Film and Media Studies / Argentinean cinema / Historia Cultural / Historia del Cine

\"Operatic Imagination: Teochew Cinema as Translocal Vernacular Practice.\" Vernacular Practices Across East Asia Conference

Southeast Asian Studies / Film Studies / Film Sound / Chinese Studies / South Asian Studies / Melodrama / Hong Kong Cinema / Mainland Chinese Film / Film History / Dialectic / Film Remakes / Chinese Cinema / Vernacular / Translocality / Dubbing / Chinese Opera / Coproduction / Opera film / Film Reception / Teochew / Melodrama / Hong Kong Cinema / Mainland Chinese Film / Film History / Dialectic / Film Remakes / Chinese Cinema / Vernacular / Translocality / Dubbing / Chinese Opera / Coproduction / Opera film / Film Reception / Teochew

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